Here is one of eleven paintings to be shown at Riney Gallery come March 6th. It'll be a good show with I think what will be a very large attendance. Let's hope!
This painting, "The Orchid and Time," is one of my favorites. It is 18"x20" and looks at the primeval quality of life as embodied by orchids, which are, by far, my favorite flowers. This plant has been blooming in my house every three months without fail. I'm pretty sure this one will sell. At only $1200, it should!!
Today, I use my painting of Crystal to talk about the emotional content of a portrait. Anyone with a modicum of effort can get a reasonable likeness. I firmly believe that. But it is the composing and editing of the vast amount of information that makes a painting feel like it has captured a subject's inner life. This can only be done by careful observation--that is standing back and seeing what the painting says at any one moment. Does your most recent mark head you towards a coherent understanding of this person's inner life or does it head away? This takes practice and it cannot be taught. Some people are simply insensitive to composition and to subtle changes in emotional feel when painting. I know, that sounds mean, but it is simply a fact. Now, I don't mean that a viewer who cannot paint the emotion before them cannot see the emotion when presented by someone who can. Of course they can. That is what makes us human. In this image, I see a very concerned woman wh...
Here is my studio--at least most of it. I use color balanced verilux lights, an old easel my father gave me when I was sixteen, a tool chest from Cessna Aircraft, a glass palette on top of the red tool chest, and a light box for still life setups. Here is the still life setup in action. (The painting sold in my most recent show). Below is a shot of the finished painting.
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