This painting, "The Orchid and Time," is one of my favorites. It is 18"x20" and looks at the primeval quality of life as embodied by orchids, which are, by far, my favorite flowers. This plant has been blooming in my house every three months without fail. I'm pretty sure this one will sell. At only $1200, it should!!
Salvadore Dali. This whiteboard drawing I did while giving a test in a college English class. (I have an MFA in creative writing and have a book called The Heirloom, available on Amazon.com) Often I find myself bored during a test or long class activity and will open my phone and draw whatever I find. This is a great practice and lots of fun. Dry erase markers are surprisingly easy to use and manipulate. I have also done large chalk drawings on traditional boards. These only live on if I remember to take a photo.
Today, I use my painting of Crystal to talk about the emotional content of a portrait. Anyone with a modicum of effort can get a reasonable likeness. I firmly believe that. But it is the composing and editing of the vast amount of information that makes a painting feel like it has captured a subject's inner life. This can only be done by careful observation--that is standing back and seeing what the painting says at any one moment. Does your most recent mark head you towards a coherent understanding of this person's inner life or does it head away? This takes practice and it cannot be taught. Some people are simply insensitive to composition and to subtle changes in emotional feel when painting. I know, that sounds mean, but it is simply a fact. Now, I don't mean that a viewer who cannot paint the emotion before them cannot see the emotion when presented by someone who can. Of course they can. That is what makes us human. In this image, I see a very concerned woman wh...
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